Who Supplys Cinderella Dresses To Tk Maxx

Let Gas talents ... here is an example of a forward-looking

Gas: we do not have agency. Much more. And for 25, there are 15 minds work


GasJeans is a Chiuppano (Vi). But to mix with the stereotype of the entrepreneur Venetian 'all I Fasso' No way. And certainly not elitist snobbery, but because some time has chosen its own way. Independent, yes, but also open. Too much to use a single agency. Not surprisingly, the choices are signed statement from within, from creativity to planning, the retail network, but the result of thinking that comes from cross-monthly meetings with creative multi-faceted, from anywhere. So much for the occasion of the 25th car off the celebration could not work. Hence the idea of \u200b\u200bBriffa 5 agencies in search of disruptive project. What was to Golab. 15 creative talents closed for 25 days in a space created specifically in the heart of the company. To produce. A book, the brand's history, its identity. A manifesto. So to write what happens after that fateful birthday. And today they are already working together on the third day (from 11 November to 5 December). But do not call it 'Big Brother'.

As Barbara Grotto, GasJeans communications manager, told Youmark, in fact, this is an incubator. For 25 days, 24 hours on 24, designers, graphic artists, videographers, editors and photographers will work and live together in close contact with all employees of the company, arriving to produce a manifesto of applied creativity. A starting point to define the beginning of a new way to plan and communicate. Inviting those who wish to follow the development blog.gasjeans.it at, or through Facebook, Twitter and YouTube.

We start from the creative group. Who am I?
"Five young talent, selected on the evenings of 21 and 23 October respectively in our store in Milan and Venice. To do this, we have involved universities and creative, launching the announcement online. Ben 10,000 contacts in total, over 200 people selected in Milan, many in Venice. Today at work there are an editor, James Cosua, a graphic designer, Eugenio Ormas, illustrator, Elena Xausa, photographer, will be kind, designer, Fabio Borgia. That mix with the ten names of the professionals. Specifically, art director Lele Villari, project Gas manager Erika Sartori, editor Cosimo Bizzarri, Alessandro Maffioletti graphic illustrator Loren Pierdicca, Makoto Nakashima photographer, designer, Marco Mucig, video maker Sara Tirelli, Michele Police blogger. "


Source: www.youmark.it/article/20797/interviste-barbara-groto-gasjeans-youmark #

Why Does Canada Safeway Use Plastic Bags

GERT & UWE TOBIAS MARAMOTTI



Maramotti Collection, Reggio Emilia
November 15, 2009 - February 14, 2010.

Gert & Uwe Tobias presented at Collezione Maramotti their recent work, an installation composed of twenty one pieces of large wood engravings, paintings and sculptures, in a covering walldrawing all the walls of the exhibition space, the old models of Max Mara, now Pattern Room. The exhibition will be accompanied by a volume in the form of artist's book.
Like all their previous installations, the Tobias brothers have created a poster, a large color woodcut that exemplifies their original way of making writing and image. The manifesto thus becomes a work of art together, under the other works on exhibit, and an advertising tool.
All this gives the work a great originality both formally - for its extraordinary immediacy and at the same time its ironic postmodern tendency for quotation - and the case for the innovative use media, as the technique of woodblock color used for large-size pieces.
addition to the large woodcuts, which combine abstract and figurative elements, Gert & Uwe Tobias create ceramic sculptures, works on paper (gouache, collage, typewritten and pen drawings) also mixing various techniques and materials in a single job .
The two artists use a palette of unique, intense and luminous, based on the process of layering color strongly influenced the folklore, though devoid of any purely decorative. The use of color in a logical or totally illogical compared to the image, is their constant feature. Tobias

I work both together and separately, but together they always sign everything they produce. Their works, however created and produced, are the result of an extreme visual coherence, it is possible to speak of visual imagination and formal identity perfectly matching.

Info
Private preview by invitation hours 18 November 14, 2009, in the presence of the artists.
Thursday-Friday 14:30 to 18:30 Saturday-Sunday 9:30 to 12:30

and 15.00-18.00 Closed 25 and December 26, 2009, 1 and 6 January 2010 Admission free




Collection Maramotti
Via Fratelli Cervi, 66
Reggio Emilia
Tel: 0522 382484
info@collezionemaramotti.org
www.collezionemaramotti.org


Source: Collection Maramotti

Reflexology Labelled Diagrams Of The Feet

THE COLLECTION IS DEDICATED TO THOSE WHO ARE LOOKING FOR ... WOMEN IN THEIR TALENT



This morning, I opened the newsletter www.youmark.it and sifting in the news, I found this on the campaign of the Academy of Teatro alla Scala, apart from the beauty of the image and iconography care, I really like and the headline claim. The talent, the force that moves all of us that makes us act, without even noticing it, but it is important to find out. The dreams that we all have and need to be actively cultivated to be able to achieve and fulfill ourselves as persons. The passion that makes us persevere and does not feel the fatigue, that ingredient that we must never lose because when there is a great non-polluting fuel, but that does good ... Each short, our passion is truly an adventure, discovering new things and projects and initiatives. I close with an invitation to all of you who read this post ... "If you have a dream, coltivatelo with passion and talent!" and if you are young artists ... Teatro alla Scala Academy bring ...

Source: www.youmark.it/article/20680 #

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REBIRTH

These words made me discover a very dear person who suggested me this link: http://www.youtube.com/watch?v

= pNSJnW8VyW4

as a woman I would spend all women resurgence in these words:

"More of the sunset, most of the flight of a bird, it is absolutely wonderful

a woman in rebirth.
When they stand up after the catastrophe, after the fall
.
What one says it's over.
No, never finished for a woman.
A woman always gets up, even when there
believes, even if you do not want.
I speak not only of the immense pain of those injured by landmine
anti-man who makes you
death or illness.
I speak to you, that this period never ends, that you're playing

existence in a difficult job, every morning is a
considered worse than
school.
you, implacable judge of yourself, that your boss how you look

decide if you're at or if you have to condemn.
So every day, and this novitiate never ends.
It's you that you do it last.
Or talk about you, you're afraid to even
sleep with a man that you are terrified that a history
you remove the air, which
not flirt with anyone because you
terror from entering someone in your life.
Worse, if we remain caught in the middle you, then you suffer
like a dog. Are you tired
: there is always someone with whom you have to justify
,
you want to change, or that you have to change you tenertelo
close.
So you're cultivating the loneliness inside.
Yet you tell it, I will also say when you talk with other
: "I'm fine
so. I'm okay, I'm better this way."
And the sky falls by another palm.
Or that boy you're going to live, have you lived
Christmas and Easter.
In this man we've thrown in the soul and is
been a long time, and you've thrown
so much blood that one day begin to look for

in the mirror because you do not know who you become.
Whatever the case, now you're here and I know there was a

time you looked down and my feet were in cement.
Wherever I was, we were close: In your story,
in your work, in your
loneliness.
And it was a crisis, and you cried.
what God cry!
Do you have a water source in the stomach.
You cried as you walked into a crowded street,
the Tube station,
on the motorcycle.
So, suddenly. You could not hold him.
And that night you took the car and you drove
for hours because the air
dark you wipe your cheeks?
And then you've dug, you talked about, how you speak,
girls!
Tears and words.
To understand, to pull out a root
six feet long to give meaning to your
pain.
"Why I do this? How is it that I always repeat the same pattern
? Am I crazy
? "
If they are asked for all.
Then go down with the bulldozer in your story,
two, four hands, and
jump out thousands of pieces.
An inextricable puzzle.
Here This is where everything starts. Did not you know?
E 'by the great liver that you want us to look
thus fragmented in a thousand
confetti, it starts again.
Why does a woman again, however, has within a
instincts that will drag
on and on.
You will need a strategy, you will need to invent a new form for your new
you.
Why did you hit to meet new,
introduce yourself.
You can no longer be what it was before. Before
bulldozer.
not you excited? You will attract interest slowly.
Falling in love again, of themselves, or do it for the first time
is like a diesel. Part
plan, we must insist. But when
go, go in the race.
E 'adventure, rebuild themselves. The largest.
No matter where you start if from the house, the color of the curtains

or cutting of hair.
I have always adored women in rebirth, why

wonderful way to proclaim to the world "are new" skirt with a flower or

curl with a cool blonde. Why
everyone should understand and see, "Beware: the
yard is open, we are also working
for you.
But above all for ourselves." More
of sunrises, most of the sun, a woman in
rebirth is the greatest wonder.
To the person who meets and for herself.
and spring to November.
When you least expect it ... "

Football Gloves For Db

LUGANO, TWO SHOWS NOT TO MISS

C ORPO Automation Robotics. BETWEEN ART, SCIENCE AND TECHNOLOGY
LOOK. LOOK AT THE FACE AND THE ART 1969-2009
opening Saturday, October 24 Look and technology. The face and the look in art 1969-2009 enroll in a joint cultural project of the two major art museums of the Polo Culturale di Lugano: Museo d'Arte della Città di Lugano and the Museo Cantonale d'Arte , offering a sort of cross-reading of artistic research on the body and face such fundamental elements of human identity.


Body robotic automation. Art, Science and Technology
Art Museum, among the initiatives promoted by the Cultural Centre of the City of Lugano, is organizing, in collaboration with the Fondazione Antonio Mazzotta, Milan and with the participation of the National Museum of Science and Technology "Leonardo da Vinci" in Milan the Museo Cantonale d'Arte, the exhibition "Body robotic automation. Art, Science and Technology", which deals with an interdisciplinary approach to the relationship between the human body and the representation that it was given by the arts, science and technology, especially with regard to the dynamics of imitation of the body (with robots) and its replacement (with robots).
The exhibition held at the Art Museum and Villa Ciani, is curated by Bruno Cora (Director of the Museum of Arts and Coordinator of the Cultural Centre of Lugano) and Peter Bellasi (Curator of the Antonio Mazzotta Foundation and Professor of Sociology at the ' University of Bologna), with the collaboration of Gilles Caprari (Researchers in robotics and ETHZ GCtronic Diretor of Robotics, Mendrisio), Christoph Hänggi (Director of the Museum für Musikautomaten, Seewen), Mario G. Losano (Professor of Philosophy of Law and Legal Informatics, University of Piemonte Orientale), Carlo Piccardi (musicologist), Pio Pellizzari (Director of the Swiss National Sound Archives, Lugano), Renato Reichlin (Director of the spectacle of the city of Lugano), Vivi Vassillopoulou (Director of Antiquities and Cultural Heritage of Greece, greek Ministry of Culture, Athens).

The exhibition is divided into two sections: the first, held at Villa Ciani, traces the history of automata, by offering an overview Ancient Greece to present day, including some of the most advanced technology products such as robots, androids, etc.. The second, presented to the Art Museum gives space for reflection on the artistic creation of modern and contemporary art focuses on the relationship between body and body-machine technology.
Archaeological finds, drawings, printed books, documents, theater, cinema and music, various types of robots-including the famous designer of Jacquet-Droz-made in the eighteenth century, toys, paintings, sculptures, videos , installations, industrial robots and ludicisono presented following an exhibition in the primarily chronological, without excluding hybrids Thematic, such as allow the development dialogue in the works on display from various collections all over the world.
The National Museum of Science and Technology "Leonardo da Vinci" in Milan holds a six historical models of cars built in the 50 basis of the interpretation of drawings by Leonardo da Vinci and dedicated to the development of automatic or translation of animal forms and human resources, such as wing structures and the diver.
"Body robotic automation. Art, Science and Technology is the most important cultural attractions of the city of Lugano in the autumn of 2009. The project in fact provides for numerous side events including a film festival organized by the Luganocinema93 film club, a number of initiatives organized by Music Today and a host of theatrical performances in the theater season in Lugano. The catalog
bilingual (Italian / English) published by Mazzotta, contains color reproductions of all works in the exhibition and the critical contributions of the editors and experts of different disciplines, from history to art, music, theater, cinema, and engineering.


Look at me. The face and the look in art 1969-2009
With around 80 works of 40 artists, it aims to investigate the international art of the last four decades studying the persistence of the representation of the face, its changes and transformations. The works come from museums, foundations, galleries and collectors across Europe, as well as by the artists themselves.
The exhibition is curated by Marco Franciolli, and Bettina Della Casa Director, Curator, Museo Cantonale d'Arte. Video section by Elena Volpato, GAM Turin.
The exhibition of the Museo Cantonale d'Arte was born from a series of questions: it is still reasonable to think the representation of the face as an index of identity? How significant correspondence between sign and thing, image and subject?
A reflection on the subject today is confronted necessarily in the arts, with the deconstruction of the face that broke up, is veiled, it deforms, delete, resisting any form of unique identity between the model / shape, subject / image. The crisis of the subject, now permanently undermined its unity and centrality, brings into play the very possibility of having a face or not. Nevertheless, research in the face of contemporary artists and its transformations remains a prime issue, which is reflected in changes in the strategy (self-) representation, in other ways to be reflected in one or more times.
In order to limit the scope of investigation in itself limitless, the "face" is understood not as a "portrait", but rather as "inter-face between himself and others (in addition to himself) . Instead of focusing on the singularity of the face as a place of individuality and representativeness of the subject, it is considered in its general character as a place of possibility / impossibility of establishing relations between subjects, the background of a historical-cultural context increasingly marked by instances of de-individualizing.
Each face involves bringing into play of the eye, seen as vital if the device is designed posters, is orientated towards the outside world (the other / the observer). The eye and its trajectory are then used as the criterion for analysis of the face, as factors in (re) velarne the mystery and its variations. But who are the architects of the look? The artist, the subject of the work and the observer. In the dialectical relationship between these three actors look is activated by giving life (face?) face. From this distinction means joint exposure.



Body Automata Robot. Art science and technology
From 25 October 2009 to February 21, 2010
Museum of Art, Riva Caccia 5
Villa Ciani, City Park
Hours: Tuesday - Sunday 28 December 10:00 to 18:00, 24 December 10:00 to 16:00, 1 January 14:00 to 18:00. closed Mondays and December 25 to 26
input to the two locations
Full Fr 18 / € 12 - Concessions, seniors over 65 years, groups and students 17-25 years CHF 12 / € 8 children under 16 years Fr 0 / € 0
entrance to a home: Full Fr 12 / € 8 - Low, senior citizens over 65 years, groups and students 17-25 years Fr 8 / € 5 children under 16 years Fr 0 / € 0

Information and reservations Tel: +41 (0) 58 866 72 14
Fax: +41 (0) 58 866 74 97
info.mda @ lugano.ch
www.mda.lugano.ch

Look at me. The face and the look in art 1969-2009
Press Conference: Friday, October 23, 11:30 am
From 25 October 2009 to February 21, 2010
Museo Cantonale d'Arte, Lugano
tel. + 41 91 9104780 fax + 41 91 9104789

decs-mca@ti.ch
www.museo-Canton-arte.ch
Hours: Tuesday 14-18, Wednesday-Sunday 10-18, closed Mondays

SOURCE: www.exibart.com